When
one is in one's late thirties, ordinary things – like a pebble or a
glass of water – take on an expressive sheen. One wants to know
more about them, and one is in turn lived by them. Young people
might not envy this kind of situation, perhaps rightly so, yet there
is now interleaving the pages and indifference to suffering a
prismatic space that cannot be seen, merely felt as the result of an
angularity that must have existed from earliest times and is only now
succeeding in making its presence felt through the mists of helpless
acceptance of everything else projected on our miserable, dank span
of days. One is aware of it as an open field of narrative
possibilities. Not in the edifying sense of the tales of the past
that we are still (however) chained to, but as stories that tell only
of themselves, so that one realizes one's self has dwindled and now
at last vanished in the diamond light of pure speculation. Collar
up, you are lighter than air. The only slightly damaged bundle of
receptive nerves is humming again, receiving the colorless emanations
from outer space and dispatching dense. Precisely worded messages.
There is room to move around in it, which is all that matters. The
pain that drained the blood from your cheeks when you were young and
turned you into a whitened specter before your time is converted back
into a source of energy that peoples this new world of perceived
phenomena with wonder. – John Ashbery, 'The New Spirit'
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