Saturday, June 20, 2015

Crucial Records Presents Jack Ruby Hi-Fi - YouTube

Crucial Records Presents Jack Ruby Hi-Fi - YouTube

Vonnegut on politics


Nobody in this country is happy but the rich people. Something is wrong. I’ll tell you what’s wrong: We’re lonesome! We’re being kept apart from our neighbors. Why? Because the rich people can go on taking our money away if we don’t hang together. They can go on taking our power away. They want us to be lonesome; they want us huddled in our houses with just our wives and kids, watching television, because they can manipulate us then. They can make us buy anything, they can make us vote the way they want. How did Americans beat the Great Depression? We banded together. In those days, members of unions called each other “brother” and “sister,” and they meant it. We’re going to bring that spirit back! Brother and sister!... We are going to band together with our neighbors to clean up our neighborhoods, to get the crooks out of the unions, to get the prices down in the meat markets. Here’s a war cry for the American people: “Lonesome no more!”’ That’s the kind of demagoguery I approve of.” — Kurt Vonnegut, Jr., “Playboy Interview”, in Wampeters, Foma & Granfalloons, Dell Publishing Co., N.Y., 1974, p. 274.

She - Outta Reach / Boy Little Boy 1970 - YouTube

She - Outta Reach / Boy Little Boy 1970 - YouTube

Don Miquel by Agustí Fernández - YouTube

Don Miquel by Agustí Fernández - YouTube

Tuesday, June 16, 2015

Sonia Sanchez's challenge from within the Black Arts movement:

Sonia Sanchez's challenge from within the Black Arts movement:

who's gonna take
the words
blk / is / beautiful
and make more of it
than blk / capitalism1



1Sonia Sanchez, We a BadddDDD People (Detroit, Mich.: Broadside Press, 1970), p. 19.

Thursday, June 11, 2015

CALLE PRINCIPE 25 (poem) - José Tolentino Mendonça - Portugal - Poetry International

CALLE PRINCIPE 25 (poem) - José Tolentino Mendonça - Portugal - Poetry International



José Tolentino Mendonça
CALLE PRÍNCIPE, 25
Perdemos de repente
la profundidad de los campos
los enigmas singulares
la claridad que juramos
conservar

pero tardamos años
en olvidar a alguien
que sólo nos miró




"Everything in mass culture is designed to deliver space-time in a series of shiny freeze-frames, each with its built-in strategy of persuasion. One writes essays and poetry to stay warm and active and realistically messy."
—Joan Retallack

Sunday, June 7, 2015

RIP Jean Ritchie


Matana Roberts, Pov Piti - YouTube

Matana Roberts, Pov Piti - YouTube

Love the (Keith) Tippettesaque quality of the Star Trek backing vocals on this one, though the riffage also recalls another one of favourite British arrangers, Mike Westbrook. The sound world and its transition remain wholly, singularly Roberts' own and rooted as always in the Af-Am tradition: https://www.youtube.com/watch?v=kKVq4_lBgzY

"Sick & Tired of Being Sick & Tired": Hearing Fannie Lou Hamer - YouTube

"Sick & Tired of Being Sick & Tired": Hearing Fannie Lou Hamer - YouTube

Saturday, June 6, 2015




At the century's sill 
Hölderlin's finger
is a singing cicada


-- 
Abdelwahab Meddeb

from my all-time favourite Taiwanese Existentialist Horror Musical that makes Lynch look a lot less looney! -- The Hole.  

Wednesday, June 3, 2015

A Short History of Primitive Accumulation » CounterPunch: Tells the Facts, Names the Names

A Short History of Primitive Accumulation » CounterPunch: Tells the Facts, Names the Names

Michael Perelman - Primitive Accumulation: From Adam Smith to Angela Merkel - YouTube

Michael Perelman - Primitive Accumulation: From Adam Smith to Angela Merkel - YouTube

Thomas Amyot on Thewall and the School of Mendoza....


He raves like a mad Methodist Parson; the most ranting Actor in the most ranting Character never made so much noise as Citizen Thelwall ... his action seems to have been learned at the School of Mendoza [the foremost pugilist of the period] & Co. If it had not been for the feebleness of his Person, I sho[uld] almost have been led to suspect that he was going to beat his audience out of doors –” Thomas Amyot in Penelope J. Corfield and Chris Evans, eds., Youth and Revolution in the 1790s: Letters of William Pattisson, Thomas Amyot and Henry Crabb Robinson. Stroud: Alan Sutton, 1996, p. 138.

Somos Sur con Shadia Mansour - YouTube

Somos Sur con Shadia Mansour - YouTube

Tuesday, June 2, 2015

Monday, June 1, 2015

“To love. To never forget your own insignificance. To seek joy in the saddest places. To never simplify what is complicated or to complicate what is simple. Above all, to watch. To never look away and never, never, to forget.” – Arundhati Roy

Mona Lisa Descending a Staircase, de Joan Gratz - YouTube

Mona Lisa Descending a Staircase, de Joan Gratz - YouTube
Erasmus, speaking as the voice of Folly: “Poets aren't so much in my debt, though they're admittedly members of my party, as they're a free race, as the saying goes, whose sole interest lies in delighting the ears of the foolish with pure nonsense and silly tales. Yet strange to say, they rely on these for the immortality and god-like life they assure themselves, and they make similar promises to others. 'Self-love and flattery' are their special friends, and no other race of men worships me with such wholehearted devotion [...] Of the same kidney are those who court immortal fame by writing books. They all owe a great deal to me, especially any who blot their pages with unadulterated rubbish. But people who use their erudition to write for a learned minority and are anxious to have either Persius or Laelius pass judgment don't seem to me favored by fortune but rather to be pitied for their continuous self-torture. They add, change, remove, lay aside, take up, rephrase, show to their friends, keep for nine years and are never satisfied. And their futile reward, a word of praise from a handful of people, they win at such a cost – so many late nights, such loss of sleep, sweetest of all things, and so much sweat and anguish. Then their health deteriorates, their looks are destroyed, they suffer partial or total blindness, poverty, ill-will, denial of pleasure, premature old age and early death, and whatever remaining disasters there may be. Yet the wise man believes he is compensated for everything if he wins the approval of one or another purblind scholar.”